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With its legendary combination of look-ahead brickwall peak limiting, level maximization, and ultra-high resolution, the L2 has become a mainstay in mastering and mixing chains in studios everywhere. And for delivering mastered audio, the advanced output dithering algorithms and noise shaping make it easier than ever to convert audio to lower bit depths.
Engineered for mastering, with a stereo-only format, the L2’s ease of use, sonic clarity, optimized release times, effective peak limiting, and streamlined user interface are in a class by themselves.
Stereo-only format optimized for bus applications
Look-ahead gives overshoot-free response and fast attack
48-bit, double-precision math for superior noise-shaping accuracy
Fast workflow, with simplified control set and dithering options
ARC (Auto-Release Control) responds sensitively to dynamics
Choose between Manual and ARC™ Automatic Release Control
Low latency for live sound and for tracking
IDR™ Increased Digital Resolution with double precision bit re-quantization and dithering
Watch It in Action
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07:52
How to Limit Your Mixes and Masters: Ultimate Guide to Peak Limiters
07:52
How to Limit Your Mixes and Masters: Ultimate Guide to Peak Limiters
16:32
Audio Mastering for the Internet
02:52
Introduction to the L1 and L2 Ultramaximizers
09:11
How to Improve Live Streaming Audio without Overcompressing
What Top Pros Are Saying
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We love the L2 so much that at one point we even owned the hardware unit.","isMainQuote":false,"sortID":4},{"itemID":2234,"itemGUID":"d1f8e725-dde6-43f2-b3bf-700fb6d7de48","artistName":"Hardwell","artistTitle":"DJ, Producer, Remixer","credits":"","artistImage":"/images/artists/1280/hardwell.png","quote":"The L2 is undoubtedly my favorite transparent limiter.","isMainQuote":false,"sortID":5},{"itemID":3233,"itemGUID":"a9651539-12fb-40bf-a711-2e232941006b","artistName":"Virgin Miri","artistTitle":"Artist, Producer, Songwriter, Engineer","credits":"T Minus","artistImage":"/images/artists/1280/virgin-miri-v2.jpg","quote":"I always use an L2 preset on my master bus to give my track extra punch and clarity before sending out a demo. I usually use the Hi Res CD master which does the job perfectly.","isMainQuote":false,"sortID":6},{"itemID":1825,"itemGUID":"41de2861-d3f0-4756-bf07-622254de5fb3","artistName":"Andy Sneap","artistTitle":"Producer, Mixing \u0026 Mastering Engineer, Guitarist","credits":"Megadeth, Killswitch Engage, Arch Enemy, Judas Priest","artistImage":"/images/artists/1280/andy-sneap.png","quote":"I use L2 to help cymbals where the snare is too dominant. Often the L2 will be enough, but if it\u2019s too boxy I pair it wtih the F6 EQ to limit the 400 Hz range before going to L2.","isMainQuote":false,"sortID":7},{"itemID":2340,"itemGUID":"bba40529-88ea-467d-baff-c7595fa2d38e","artistName":"Like Mike","artistTitle":"Artist, Performer, Producer, Musician","credits":"Dmitri Vegas \u0026 Like Mike","artistImage":"/images/artists/1280/avatar-male.png","quote":"I love the L2 Ultramaximizer, it\u2019s a classic that I\u2019ve been using for many years, ever since I started producing. For mixing, mastering and limiting it\u2019s still the way the go.","isMainQuote":false,"sortID":8},{"itemID":217,"itemGUID":"33cc2627-d7f2-434c-b76a-ef88badca174","artistName":"Ken \u0022Pooch\u0022 Van Druten","artistTitle":"Mixer, FOH Engineer","credits":"Linkin Park, Kiss, Justin Bieber, Jay-Z","artistImage":"/images/artists/1280/ken-van-druten.png","quote":"The L2 Ultramaximizer is the sound of what records sound like these days. Why shouldn\u2019t I use it live, too?","isMainQuote":false,"sortID":9},{"itemID":2078,"itemGUID":"bd6c2d9b-c9e8-4836-b049-54f41911369d","artistName":"Chris Craker","artistTitle":"Musician, Producer, Composer","credits":"Hans Zimmer, Lang Lang, Leona Lewis, London Symphony Orchestra","artistImage":"/images/artists/1280/chris-craker.png","quote":"I have been using Ultramaximizers since day one and still do today! The L2 is a truly useful tool to enhance the sound of pretty much anything that I am preparing. It\u2019s an absolute go-to.","isMainQuote":false,"sortID":10},{"itemID":218,"itemGUID":"b18d445f-3a68-4241-bef5-c44ef9c211d8","artistName":"Thom Russo","artistTitle":"Producer / Engineer","credits":"Michael Jackson, Man\u00E1, Tom Morello","artistImage":"/images/artists/1280/thom-russo.png","quote":"The L2 Ultramaximizer has quickly become my choice for stereo bus compression; it seems to have just the right amount of \u2018glue\u2019 to make the overall track sound punchy, but not too \u2018mashed\u2019 as to be oversaturated and sucked of life.","isMainQuote":false,"sortID":11},{"itemID":2065,"itemGUID":"de73e9e9-ba82-4971-b1a2-40c501f7e251","artistName":"Maor Appelbaum","artistTitle":"Mastering Engineer","credits":"Faith No More, Yes, Meatloaf, Sepultura","artistImage":"/images/artists/1280/maor-appelbaum.png","quote":"Whether it\u2019s hardware or software, the L2 holds up after all these years. 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A little goes a long way.","isMainQuote":false,"sortID":19},{"itemID":374,"itemGUID":"490ca06a-55bf-4f62-bfef-c5083e7205ce","artistName":"Charles Deenen","artistTitle":"Sound Designer","credits":"The Fast and the Furious, Need for Speed","artistImage":"/images/artists/1280/charles-deenen.png","quote":"Similar to the L1, but safer to use on variable sounds due to the automatic release setting. It also will introduce less \u2018crunch,\u2019 so if you\u2019re just after smashing the loudness of a sound without additional crunch, this is your go-to plugin.","isMainQuote":false,"sortID":20},{"itemID":2376,"itemGUID":"aa928d3f-f444-4110-b6f6-157b4f63dba6","artistName":"Aiden Hogarth","artistTitle":"Record Producer / DJ / Composer","credits":"BBC, Dizzee Rascal, Skepta, Timbaland","artistImage":"/images/artists/1280/avatar-male.png","quote":"When mastering, nothing beats the L2 on the out for me.","isMainQuote":false,"sortID":22},{"itemID":2832,"itemGUID":"07a1cafb-a6f5-4e87-82e4-dc31b4fb6f3d","artistName":"Nick Brophy","artistTitle":"Producer, Engineer, Mixer, Songwriter","credits":"The Rolling Stones, Hootie \u0026 the Blowfish, Big \u0026 Rich, Jimmy Fallon","artistImage":"/images/artists/1280/nick-brophy.png","quote":"I like using L2 on a lot of transient elements like drums and percussion. I\u0027ll use it on the individual drum mics, like a clipper, to eliminate runaway transients and increase headroom.","isMainQuote":false,"sortID":23},{"itemID":3196,"itemGUID":"6f47fee3-7992-45d5-82d9-5604cefb4a29","artistName":"Preston \u201CPrizzie\u201D Reid","artistTitle":"Mixer, Producer, Engineer","credits":"Usher, Ye, Muni Long, Omah Lay","artistImage":"/images/artists/1280/preston-prizzle-reid.png","quote":"L2 can be fantastic as a final safety net on a vocal bus.","isMainQuote":false,"sortID":23},{"itemID":3565,"itemGUID":"45038217-1aca-4a32-bfe4-c5f87a306582","artistName":"DJ Darmon","artistTitle":"Music Producer, Sound Designer","credits":"Madonna, Afrojack, Blondish","artistImage":"/images/artists/1280/dj-darmon.jpg","quote":"L2 has become a classic staple in my productions, helping me achieve competitive loudness.","isMainQuote":false,"sortID":9999}]
Nick Brophy
Producer, Engineer, Mixer, Songwriter
The Rolling Stones, Hootie & the Blowfish, Big & Rich, Jimmy Fallon
I like using L2 on a lot of transient elements like drums and percussion. I'll use it on the individual drum mics, like a clipper, to eliminate runaway transients and increase headroom.
Preston “Prizzie” Reid
Mixer, Producer, Engineer
Usher, Ye, Muni Long, Omah Lay
L2 can be fantastic as a final safety net on a vocal bus.
DJ Darmon
Music Producer, Sound Designer
Madonna, Afrojack, Blondish
L2 has become a classic staple in my productions, helping me achieve competitive loudness.
Waves plugins are crucial to me, especially the L2 and the Renaissance plugins. I do my recordings on tape, but once I move to the DAW, these plugins are a must.
Andrew Scheps
Producer, Engineer
Adele, Red Hot Chili Peppers, Metallica
L2 is a classic limiter. Works great on individual tracks as well as mixes. A little goes a long way.
The Glitch Mob
L2 defined the sound of an entire generation of music. We love the L2 so much that at one point we even owned the hardware unit.
Hardwell
DJ, Producer, Remixer
The L2 is undoubtedly my favorite transparent limiter.
Virgin Miri
Artist, Producer, Songwriter, Engineer
T Minus
I always use an L2 preset on my master bus to give my track extra punch and clarity before sending out a demo. I usually use the Hi Res CD master which does the job perfectly.
I use L2 to help cymbals where the snare is too dominant. Often the L2 will be enough, but if it’s too boxy I pair it wtih the F6 EQ to limit the 400 Hz range before going to L2.
Like Mike
Artist, Performer, Producer, Musician
Dmitri Vegas & Like Mike
I love the L2 Ultramaximizer, it’s a classic that I’ve been using for many years, ever since I started producing. For mixing, mastering and limiting it’s still the way the go.
Ken "Pooch" Van Druten
Mixer, FOH Engineer
Linkin Park, Kiss, Justin Bieber, Jay-Z
The L2 Ultramaximizer is the sound of what records sound like these days. Why shouldn’t I use it live, too?
Chris Craker
Musician, Producer, Composer
Hans Zimmer, Lang Lang, Leona Lewis, London Symphony Orchestra
I have been using Ultramaximizers since day one and still do today! The L2 is a truly useful tool to enhance the sound of pretty much anything that I am preparing. It’s an absolute go-to.
Thom Russo
Producer / Engineer
Michael Jackson, Maná, Tom Morello
The L2 Ultramaximizer has quickly become my choice for stereo bus compression; it seems to have just the right amount of ‘glue’ to make the overall track sound punchy, but not too ‘mashed’ as to be oversaturated and sucked of life.
Maor Appelbaum
Mastering Engineer
Faith No More, Yes, Meatloaf, Sepultura
Whether it’s hardware or software, the L2 holds up after all these years. I have used it on so many records and still enjoy the results.
We love several L2s chained on the master bus, with a little gain reduction on each. We also use them to make backing vocal groups jump through the mix with a lot of sheen.
TMS
Songwriters & Producers
G-Eazy, Jess Glynne, Little Mix, Sigma
L2 is one of our long-term faves. It finds its way into our vocal recordings all the time. The combination of incredible sound and usability has been and will always be a winner.
Stevic MacKay
Producer, Writer, Guitarist
Twelve Foot Ninja
The L2 is a no-nonsense tool that I use to normalise and/or limit samples to use in a live performance. It’s the most transparent and intuitive plugin for that kind of task!
Ott
Composer, Producer, Engineer, Mixer, Remixer, Sound Designer, DJ, Live Performer
Waves L2 is my digital insurance policy. Don’t want transient peaks to exceed a particular level? Set the L2 and forget it.
Carlos de la Garza
Producer, Mixing & Recording Engineer
Paramore, Young the Giant, Wolf Alice, Ziggy Marley
The L2 is a party on the mix buss!
Gil Norton
Producer
Foo Fighters, Pixies, Stornoway
The L2 Ultramaximizer is great for making listening reference mixes.
American Beauty, Nightcrawler, Maya & the Three, Pacific Rim
Fantastic at containing dynamics without adding any color to the sound. A little goes a long way.
Charles Deenen
Sound Designer
The Fast and the Furious, Need for Speed
Similar to the L1, but safer to use on variable sounds due to the automatic release setting. It also will introduce less ‘crunch,’ so if you’re just after smashing the loudness of a sound without additional crunch, this is your go-to plugin.
Aiden Hogarth
Record Producer / DJ / Composer
BBC, Dizzee Rascal, Skepta, Timbaland
When mastering, nothing beats the L2 on the out for me.
Achieve Maximum Mastering Levels With Clarity, Accuracy, and Transparency
Effortless Workflow
Optimization for bus applications simplifies the control set to Threshold, Output Ceiling, Release, and dither settings. Control the peaks with Ceiling, and raise the output level with Threshold. Simple—and it gets the job done.
The Secret of Shaping
The L2’s superior noise shaping comes from 48-bit, double-precision, ninth-order noise-shaping algorithms. Choose Moderate, Normal, or Ultra to suit program material from delicate acoustic sounds to hard rock.
High-Resolution Ready
With more studios using 32-bit and higher file resolutions, conversion to standard 24-bit files is now as important as 16-bit conversion was to CDs. For older digital formats, the L2 also converts to 20- and 22-bit files.
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Resolve","hostComment":"","productHostComment":"","itemOrder":30}],"topBanner":"\u003Cp class=\u0022pb-4\u0022\u003E\u003Ca href=\u0022/support/waves-with-apple-silicon-processors\u0022\u003EApple Silicon Support\u003C/a\u003E\u003C/p\u003E\n\u003Cul class=\u0022waves-ul md:text-base pl-0\u0022\u003E\n \u003Cli\u003EThe DAW versions listed below are the latest on which we tested and officially qualified each the latest version of our products.\u003C/li\u003E\n \u003Cli\u003EWaves\u2019 latest version works on newer sub-versions of these DAWs, unless stated otherwise.\u003C/li\u003E\n \u003Cli\u003EIf your DAW (or DAW version) is not listed here, we recommend you \u003Ca href=\u0022/support/demo-waves-products\u0022\u003Edemo the product\u003C/a\u003E you wish to purchase to confirm it works.\u003C/li\u003E\n \u003Cli\u003EYour DAW must be running on an operating system that supports it in order for plugins to work properly. To confirm that your DAW version is supported on your operating system, please refer to your DAW\u2019s website.\u003C/li\u003E\n\u003C/ul\u003E","bottomBanner":""}
{"supportedPlatforms":[{"documentName":"L2 Ultramaximizer","mostAudioHosts":true,"multiRackNative":true,"multiRackSoundGrid":true,"studioRackNative":true,"studioRackSoundGrid":true,"superRackNative":true,"superRackSoundGrid":true,"eMotionSTMixer":true,"eMotionLV1Mixer":true,"diGiCo":true,"venue":true}],"topBanner":"","bottomBanner":"\u003Cul class=\u0022list-none hidden lg:block\u0022\u003E\n\t\u003Cli class=\u0022mb-2\u0022\u003E*Check the Supported Hosts tab for more info.\u003C/li\u003E\n\t\u003Cli class=\u0022mb-2\u0022\u003E**The last Waves plugin version supported in MultiRack is v10.\u003C/li\u003E\n\t\u003Cli class=\u0022mb-2\u0022\u003E***DiGiCo SD (v929 or earlier) with MultiRack (v9.8 or earlier) embedded.\u003C/li\u003E\n\t\u003Cli class=\u0022mb-2\u0022\u003E****When used with \u003Ca href=\u0022/mixers-racks/soundgrid-rack-for-venue\u0022\u003ESoundGrid Rack for VENUE\u003C/a\u003E. For plugins for VENUE V3\u20133.1.1, \u003Ca href=\u0022/support/avid-venue-v3-compatible-plugins\u0022\u003Esee here\u003C/a\u003E.\u003C/li\u003E\n\u003C/ul\u003E\n"}
{"latency":[{"documentName":"L2 Ultramaximizer","native44":"64","native48":"64","native88":"128","native96":"128","native176":"256","native192":"256","tdM48":"67"}],"topBanner":"\u003Cp class=\u0022pb-2\u0022\u003EThe table below indicates how much latency is produced by each plugin, in \u003Cu\u003Esamples\u003C/u\u003E.\u003C/p\u003E\n\t\u003Cp\u003E\n\t\tNot all plugins support all platforms (MultiRack, StudioRack, eMotion, Venue). Check the Supported Platforms tab for more info.\n\t\u003C/p\u003E","bottomBanner":""}
{"sampleRates":[{"documentName":"L2 Ultramaximizer","sampleRate":192,"sampleRateComment":""}],"topBanner":"All Waves plugins support 44.1 kHz and 48 kHz; most support higher sample rates.","bottomBanner":""}
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